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Lobbing Lingerie & Getting Funky
Tom
Jones to Set Budapest on Fire
Brace yourselves, ladies and gentlemen, because on September
22, there may be a sudden downpour of underwear over the
Kisstadion in Budapest. The force behind this unusual form
of precipitation is, of course, that Welsh pop icon, Tom
Jones.
Now, you may think that at the age of 61, and after 38 years
in the music industry, the flow of silky undergarments onto
the stage when he performs would have, by now, slowed to a
trickle. But if you go to the Kisstadion on the night in question,
I think you may just be surprised. The reason? Tom Jones has
still got it.
The “it” in question goes by many names: sex appeal, charisma,
talent, or what Austin Powers likes to call "mojo." The
point is, they can all be applied to Mr. Jones, even at this
advanced stage in his career. www.tomjonesbiography.com
Besides enduring charisma, survival at the top in the cut-throat
world of pop is often reliant on an astute manager, and there
is evidence that this too has played a part in Tom Jones’ long-lasting
success. Throughout his career, he has been something of a
chameleon, constantly repositioning himself within the music
market.
He first made it to the big time way back in 1965, with his
second single, "It’s Not Unusual." Back then, the
image was all about tight trousers and that unmistakably masculine
voice. Then the figure-hugging gear was pushed aside, and in
came the smart tuxedo phase, along with more mature songs like "Green,
Green Grass of Home" and "Delilah." He entered
the next stage of his career at the end of the 60s, when he
got his own TV show, "This is Tom Jones," which saw
the Welshman duetting with a dazzling and often unusual mixture
of stars.
The late 60s and 70s saw Jones spending most of his time in
America, earning a tidy sum as a Las Vegas lounge lizard. The
80s were a quiet time for Jones. He didn’t have any big hits,
and his public popularity began to seriously wane. His comeback
single, the autobiographical-sounding "The Boy From Nowhere," reached
number 2 in the UK singles charts in 1987.
A re-release of "It’s Not Unusual" in the same year
ensured that his popularity was again established with his
UK audience. The year 1988 saw a major change of direction,
with a collaboration with the dance act The Art of Noise on
a very bombastic and slightly tongue-in-cheek cover version
of the Prince song "Kiss."
The early 90s saw Jones consolidating his appeal with a new
breed of younger and hipper fans with an album of dance-floor
oriented songs, and an appearance at the Glastonbury music
festival. Amazingly, after so many years in the music business,
the high point of his career was yet to come. This was the
1999 album, "Re-Load," which reached number 1 on
the UK charts and spawned several hit singles as well.
Two years later, Tom Jones is still riding high on the crest
of a wave of huge public popularity that shows no signs of
subsiding for a long time to come. www.gutrecords.com/tomjones
Yes, all things considered, Tom Jones has still got it. You
don’t survive for 38 years in the music business, or any time
at all in Las Vegas, if you can’t put on a great show. And
then, of course, there’s THE VOICE. Now that Elvis and Frank
Sinatra have both sadly left us, there isn’t such a sexy, powerful
or memorable voice to be found anywhere else in showbiz. http://www.tjthevoice.com
So, whether you go to lob your lingerie, sing along to the
old classics, get down to the funky new stuff, or just look
on knowingly, I’m sure a great time will be had by all.
13.09
Hannah Cawthorne
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